I learned a lot about TB's other producing projects from you in parts 1 and 2, as I was pretty limited to his work with Rush in terms of Terry's credits. I agree with Emm that Rush needed to explore new directions (they were already moving in that direction, especially with Signals), and if Terry weren't equally excited, it wouldn't be a good match. I did enjoy listening to what TB did with the remix of Grace Under Pressure. He added a lot more low-end, brought down the brightness of the keyboards, increased the guitar. I do have a soft spot for the original, though. I feel less attached to Power Windows. I'd be curious what he would do with that album.
I learned a lot about TB's other producing projects from you in parts 1 and 2, as I was pretty limited to his work with Rush in terms of Terry's credits. I agree with Emm that Rush needed to explore new directions (they were already moving in that direction, especially with Signals), and if Terry weren't equally excited, it wouldn't be a good match. I did enjoy listening to what TB did with the remix of Grace Under Pressure. He added a lot more low-end, brought down the brightness of the keyboards, increased the guitar. I do have a soft spot for the original, though. I feel less attached to Power Windows. I'd be curious what he would do with that album.
Thanks for reading, as always Steve. 🫡
As Geddy says “he knows how to make it kick ass!” Can’t be a much bigger compliment for a producer.